Rihanna’s Big Red Pregnancy Reveal

The night before, Sunday’s biggest-watched Fashion show during New York Fashion Week took place in Arizona.

I’m talking obviously about Rihanna’s Super Bowl halftime show, which lasted 13 minutes of intense red and a reveal of her pregnancy that included puffers, workwear and a breastplate which is likely to set the maternity fashions for the coming decade.

When she was pregnant with her first Rihanna’s fashion was determined by the clothes she did not wear (anything that would hide her bump) In State Farm Stadium she was nearly completely covered. Rihanna frequently uses style to emphasize just who controls her body and forces the issue of her body’s corporeality. The fashionista has once more redefined the definition of.

With her red hair, her eyes shined brightly.

If it wasn’t like diamonds, certainly an emerald: specifically, in the 19.47-carat Bayco ring she had on her left hand. It could be a modern-day fertility goddess, drenched in a shade that holds many powerful connections to the female body, especially the female pregnant body. (Also it’s Valentine’s Day, but she tends to think more broadly than at Hallmark time.) It created a scene that could be seen from the furthest reaches of the football stadium.

(It helped that her dancers on backup formed an enclave of hoodies in white.)

Even before the news about the baby was announced, the outfit Rihanna would wear to her first appearance on stage since the year 2018 was so highly expected that in the early day of the event, not two but two brands informed me secretly they were wearing outfits specially designed for the occasion however, in the end, she pulled off a last-minute surprise. That’s a lot of power. There were only two of them, there are probably more. (Who knows the exact number?) (Who knows how many?) Oscar nominees aren’t able to boast enough brands willing to take a risk on the possibility that a celebrity’s favour will fall upon them. The idea is that the possibility of earning a profit can be worth taking the chance.

It’s going to be for Loewe whose designer Jonathan Anderson, created the surrealist breastplate Rihanna put on over her bodysuit and underneath the boilersuit (meant to signify flight according to the company) which was embellished with diamond brooches, and left unlocked at the waist to let the stomach loose.

Additionally, Alaia, whose creative director was Pieter Mulier, custom-made the two leather coats she put over her head: the cushioned red leather bolero that had integrated gloves that curled to flow down from her back body as her voice rang out, as well as the huge and robe-like red leather and also with integrated gloves, which splattered at her feet when she rose into the sky at the conclusion.

(Alaia enjoyed a great Super Bowl; Rihanna also had a crocodile-print skirt and a shearling jacket by the brand for her news conference prior to the game.)

For her shoes, it was a sneakers collab of the MM6 Maison Margiela x Salomon. Why choose one label when you can mix multiple brands to your own goals? Together they gave a short discussion on the latest trends in high-end fashion, but the main purpose of the look was not so much the style Rihanna was wearing, but rather how her outfit showcased the curve of her expanding stomach. The way it was presented. It gave a new significance to the phrase “scarlet woman.”

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